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Here we are talking about the Necessity of the Harmonic Minor in the Minor Blues. Hear how Peter Green and Carlos Santana, utilize the oldest trick in the book to create the iconic Harmonic Minor Scale appear out of nowhere. While studying Black Magic Woman.
This video references my Minor Blues Quick Study video located Here:https://youtu.be/BXMSGSfcn_E
Quick Edit, I do think fast, and what I meant to say was that Peter Green Wrote it and Santana Re-made it... sorry for the lack of thought process. Cheers!
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Hahaha awesome, man I been playing some blues for a while I have some skill and can pick things up quite well I think, but I feel like I need to know more theory as my playing is kind of all over the place and has no real structure. I have tried before but I get so far then there's like this jump and I'm lost, like I miss four pages. But at the same time I don't want to lose my feel as I feel this is inevitable when one thinks about theory to much, unless you have a brain like this hahaha. Do you think there is a basic theory level that one can learn to better just understand the theory of the blues.. One thing I learned is that the blues sound simple but it bloody ain't hahaha. I got so much feeling just need to get that sh*t out. Loved your comment and your video, you just got me all kinds of lost man ;) Take care.
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Awesome exposition! For me, the master of the minor key blues was the great Otis Rush. Mayall covered (and covered, very, very, well!) several of Rush's songs (Double trouble, So Many Roads, So Many trains). Maybe Mayall hipped Green to the form. Another master of the minor blues was Little Walter. Great stuff and a great mood and secret weapon for changing it up at the blues jam! Thanks for making it so accessible.
Jacob Kyle It totally works for the blues. But, try for yourself. You do in fact have the power to make that decision. I’m not trying to be rude in anyway, just motivational. Remember if it sounds good to you, then it sounds good to someone else. Thanks for watching and enjoying!
Great stuff, thanks. Glad to hear you're digging into the early Mac stuff where Peter was brilliant. Hey, so along the lines of Santana and Harmonic Minor, listen to his "Flor de Luna" (Moonflower) instrumental. I believe that's Natural (mostly) and Harmonic Minor mixed and very beautiful. I think he uses the major 7 when he resolves to the tonic just like here. I'm a huge fan of both players.
i think maybe if one harmonizes the harmonic minor scale, the c# has c#, e, g. maybe this would be a C#dim chord? they are the common notes to the a7th: 3rd, 5th, flatted 7th. so they resolve to the Dm: root, 3rd, 5th.. i'm thinking maybe but i am not sure....
This guy is very good IMHWO, but after 45 seconds of soloing he starts to talk, and his vocal pedantics are good, but more playing and less explaining would be great for like 2 minutes, then explain, IDK, that's just one player's opinion ...
quick question: i bought the print out but the 3 chords are basically around the 10th fret, whereas in the video the chords fingerings are the barred chords in the 3rd and 5th frets... the chords positions on the video sound better... So why the chord fingerings/fret are different than in the video? Im not complaining, I just want to know why the difference
Thank you so much for the lesson! I have a question. That 'D minor diatonic scale' that you played, can you use that also the same way for other keys? Let's say you want to play this scale starting from the A note on the low E string (the root), is this still the same scale and called the 'Am diatonic scale'?
E 5 7 8
A 5 7 8
D 5 7
G 4 5 7
B 5 6 8
E 5 7 8
Thanks again for the lesson!
But you are not calling out the intervals, you are calling out the fret numbers. You are verbalizing the TAB and TAB is lazy. Naming the notes reinforces the theory IMHO. You do you though, obviously it works for you and your subscribers. Most people who play guitar now a days have no idea what notes they are playing because they just play TAB, they don't know the name of the note on the 5th fret of the 5th string, they just know where to put their finger next. They have no vocabulary for the language they are trying to communicate in.
Great lesson, Ian! Really appreciate all your videos! BUT... you said, "...Black Magic Woman by Peter Green / Carlos Santana; the former who remade it." Peter Green wrote it. Santana remade it. I'm guessing you meant to say "...the LATTER who remade it."
There must be 100,000 or more"guitar teachers" on YouTube. You are my absolute favorite. I have learned more watching one or two of your videos than all lessons combined since the 70s. And I remember having to mow two neighbors yards, to earn enough money to have my dad take me to Vine Records, to buy the new Led Zeppelin II album.
Hi, very nice and relaxed and a little humerous! Nice explanation of the scales too. Can I just add I think Peter Green's chord pattern was Dm7 (24th fret) vocal Dm A7 Dm Gm (Dm C Bflat A7) Dm.... Dm7 (24th fret) I sort of remember from 1968.....I think the first A7 instead of Am points up the Gm (you can disagree!) Another point I think his first solo almost paraphrases the vocal. Sorry if someone else already said this I haven't read all the numerous comments.
Long time guitar player here who recently learned piano and applying each instrument in composing. I really enjoy your explanation and theory. Most guitar players (myself for many years) don't apply music theory to their playing. You do a great job demonstrating the theory of music while knocking out cool riffs. Get it up bro.
Nailed it man. Theory is a very useful tool to explain what sounds good in a tune, it is not what makes the music! Thanks for the great insight into one of the techniques utilized in Peter and Carlo's solos!
Because it is harmonically incongruous - though still intentional. The g# gives you the leading tone to the dominant 5 chord in the same way the c# leads to the d. G# is also the b5 in the key of d minor. Here its resolution to the A has an admittedly 'happy' sound about it, that is what makes it stick out. That is why it works. That's the art of it - taking something that should not work and making it work.
Hum a tune in your head or have someone hum you a tune... can you repeat it on your guitar? If you can't, you're wasting your time with theory, you're wasting your time with talk of "seeing" notes, your wasting your time with fretboard moves. Music is a hearing art.
OK thanks I will look at more of your lessons. Really, my initial post was more of a venting of frustration with myself than anything; certainly not a shot at you. Strum a G chord and if I'm not looking at you I won't know you just played a G - and how the hell is one to function in any kind of a musical setting with a handicap such as that? Might as well be blind in front of a canvas with a loaded palette. But I am trying. Relative pitch app.. Jamey Aebersold play alongs.. Maybe I'm just not working hard enough - hell I should be practicing right now as I type this LOL.. I appreciate what you wrote, thank you.
LOL. Apparently you see everything as a confrontation. I myself am UNABLE to play phrases I hear in my head, even after years of learning scales, theory, etc. My point was this: music is a language, and if you can't hear what others are doing and respond accordingly you're dead in the water - unless your only goal is to parrot songs alone in your bedroom. Imagine if we taught children to speak the way we try to teach people to play.
It's the tri-tone....in this case the C# and G of the A7 chord....resolving to the D and F of the Dm chord. So much of Western (European) music is based on this resolution from the unstable (tri-tone - "the Devil's interval" - very unstable) to the stable (in this case the minor third of the i chord).
I found your videos by accident and I really am grateful I found you. You're awesome!!!
I love your style it's very engaging. Thank you for taking the time to sharing yourself with all of us........You totally ROCK.....
Very well done! I'm a skilled gtr player and have been playing this tune many times. My musical ear is not perfect but I found myself sliding a finger to those 'black magic' notes because it just felt right. You are explaining, in a very relaxed way, why it all makes sense. Congratulations!
This video made me have to go back and look at my scales. I forgot that there is a b6 to go with the b7 in the minor scale so I couldn't get the scale to jive. Now of course I am reminded that the harmonic minor just raises that b7 to a major 7. This stuff just goes round and round until someone like you puts it to use for us. Thanks. btw - this is my bad but I got the impression that your "soloing" download was going to be some version of the actual solo. That's OK - your charts are just what they should be - I will use your logic to figure it out. Thanks again, as I have said before, I am impressed with your style of teaching.
That is why your style works so well. I have found from personal experience that you learn much more thinking about what your doing instead of just memorizing in any task ... and don't care what Sean says - you're alright ::)
In a Q&A video, Suzy says that she is the manager for Game Grumps.
Suzy is often around the office while the Grumps are recording. On her Tumblr, Suzy has stated that she has woken up to Jons screaming while he and Arin were recording many times. She appeared very briefly in Arins Gotta Poo, alongside Barry and Mimi, when Jon starts recording a video and walks out of the Grump Room. She makes her first vocal appearance in Pay Your Workers, after Arin tries to call Barry into the room, and she can be heard saying "Hes pooping." Suzy makes her first appearance as a player in the Mario Party 4 Steam Rolled series, playing alongside Arin, Barry and Ross. She has now become a recurring player on the Steam Rolled episodes, replacing Danny.
Arin has suggested several times that she would play The Lion King on Game Grumps while he and Jon commentate. On February 14th, 2014 she appeared alongside
Arin on two Valentine-themed episodes on Game Grumps, called Date Grumps. One of these was The Lion King, and the other was Super Paaauzzle Fighter II Turbo. On instagram Game Grumps posted a photo of Suzy with a text explaining that Suzy is working on a new fan showcase show on the Game Grumps channel. The name and format of the upcoming series is still unknown, but it is speculated that the show will be Suzy announcing and discussing new fan material, like fanart, Game Grumps animated and remixes, making the Game Grumps fan content more known. On June 25th, 2014 a new intro debuted on Steam Train with the first episode of Kings Quest VI on the shows one year anniversary. All the five grumps were featured in the intro which suggested that Suzy (along with Barry) will be featured in the series outside of Steam Rolled as well. This was confirmed by Ross on reddit, and Barry made his first offical appearance in Cliffhorse. Suzy made her official appearance two days later on Mount Your Friends.
Suzy and Barry have a series called Table Flip. The series involves them and certain guests playing various tabletop games, such as board games, card games, dice games, miniature wargames, tile-based games and other games that are normally played on a table or other flat surface. This is different from Game Grumps, Steam Train, and Grumpcade as they play video games.